Pinocchio
The famous wooden puppet comes to life in this innovative show by the old Geppetto who, on this occasion, builds it with recycled materials. As ingredients: dance, music, image and technology, they allow the emotions of the original story to be translated into the present. A 21st century Pinocchio that connects 100% with the present: here, Pinocchio replaces the book with the computer, and instead of going to school he escapes to a game center. These are some of the imaginative contributions of Roseland Musical to this universal classic to attract the young audience of the new millennium.
TEASER
ARTISTIC CREDITS
AUTHORITY AND ARTISTIC DIRECTION: MARTA ADMIRAL
AUDIOVISUAL DIRECTION : FRANK ALEU
DRAMATURGY: MANUEL VEIGA
CHOREOGRAPHY: ANNA PLANAS
DANCERS: ANNA SAGRERA / ALBERT BARROS
MUSICAL CREATION : JOSE MANUEL PAGAN
COSTUME DESIGN : ROSELAND MUSICAL
PUPPET DESIGN AND MAKING : HERTA FRANKEL COMPANY
LIGHTING DESIGN AND TECHNIQUE : ISABEL JOANIQUET
VIDEO TECHNICIAN : RUBÉN CARRILLO
PRODUCTION: ROSELAND MUSICAL
ARTISTIC COLLABORATION : THE MIGUEL HERNÁNDEZ HALL OF SABADELL, BAF AUDIOVISUAL SERVICES
She trained in modern dance and hip hop at Company & Company (Barcelona, 2011-2015) and, from 2015, she began her own research into the fusion of urban and contemporary dance. In 2017 he traveled to Costa Rica to delve deeper into physical dance with the Revés course. In 2018 he participated in the Fre3 Bodies program as an interpreter of choreographies by Diego Sinniger, Vero Cendoya and Kiko López.
She has worked with companies such as Les Impuxibles, Nicolás Richinni Company and Iron Skulls Co, with whom she tours Europe. She co-founded the Kä Collective with Carla Sisteré and currently dances with the companies Aina Lanas, Roseland and Cobosmika.
She defines herself as a versatile performer, who seeks her own physical language based on the fusion of styles, emotion and instinctive movement.
He is a performer and creator trained in contemporary dance at Cobosmika Seed's (2019-2024) and in urban dances self-taught. He has worked with companies and choreographers such as Jesús Rubio Gamo, Julien Rossin, Tania i Albert, and Cia. AÜC, participating in pieces such as Gran Bolero, Perception, Scrakeja't 2.0 and La Cèrvola Blanca. He has also collaborated in audiovisual projects and multidisciplinary shows.
She combines dance with teaching, giving classes since 2015, and with his training in mechanical engineering, working in technical offices and production plants. Her movement is characterized by great physical versatility and a constant search between technical rigor and emotional expression.
WE HAVE ACTED IN:
- FETEN (2011)
- HAIFA INTERNATIONAL CHILDREN'S FESTIVAL (ISRAEL, 2012)
- THE CALGARY INTERNATIONAL CHILDREN'S FESTIVAL (CANADA, 2013)
- INTERNATIONAL CHILDREN'S FESTIVAL (BERGEN, NORWAY, 2014)
- THE INTERNATIONAL THEATER FESTIVAL FOR CHILDREN (ROMANIA, 2015)
- EL CERVANTINO (MEXICO, 2017)
- BOGOTÁ IBEROAMERICAN THEATER FESTIVAL (COLOMBIA, 2018)
- NAJ, NAJ, NAJ FESTIVAL (CROATIA, 2018)
- STATE PROGRAMS PLATEA 2021-2026
WE WILL CURRENTLY BE AT:
- PROGRAMA.CAT 2025 - 2026
- PALAMÓS